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Read more: SXSW Film Festival 2019 Movie Round-Up It’s an incredible ecosystem I’d never seen before in a movie.” Rodriguez eventually wound up breaking into Hollywood by making a pseudo-sequel to El Mariachi via 1995’s Desperado (which starred Antonio Banderas and Salma Hayek), but Red 11, titled after the number he actually had at the hospital, remained in the back of his mind waiting to evolve… or mutate. So people were familiar with the story, but the story of the actual hospital is really funny. I sold my body to medical research experiments and that became part of the whole movie: this guy bled for the movie. I was so young that that was the only thing I experienced that was odd and strange, and everyone agreed was really funny. “I’d forgotten the one story I was trying to sell to studios as my follow-up was Red 11, because it was the only life experience I had. “I happened to be reading my book again, and that chapter where I was a human lab rat,” Rodriguez says.
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Given El Rey-a name Rodriguez got out of Jim Thompson’s The Getaway novel from 1958-is what the filmmaker named his TV network after, we were curious of how he views the original Seth’s fate after leaving the bloodsuckers behind. Seth’s headed to a town called El Rey with a crime boss played by Cheech Marin, and he wants to get there solo. This is the 1996 cult classic that starred George Clooney and Quentin Tarantino (who also wrote the script) as a pair of small-time criminals turned big-time vampire slayers when their strip club south of the border is discovered to be a nest for the Undead.Īs we’ve always been curious about what Rodriguez’s exact thoughts were on that film’s ending, it was a good time to bring up the final moments where Clooney’s Seth Gecko get into a car, leaving the newly orphaned Kate (Juliette Lewis) to fend for herself.
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In this vein, he and his children just watched From Dusk Till Dawn for the first-time together-and not the TV series either.
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Thus his trip was one practically across the street when he begins to reflect on the making Red 11, a new thriller intrinsically linked to his first film El Mariachi, plus those early days that’ve become something akin to filmmaking legend. Whereas most other filmmakers descend onto Austin in early March for a whirlwind of press and festivities, Rodriguez lives here and will remain long after the banners come down. The story he was telling was NOT good, it was dumb.When Robert Rodriguez comes by our studio during SXSW, he’s maybe a little nostalgic. That was definetely Tarantino’s WORST dialogue. I also found that one guy’s story of Vietnam incredibly stupid. They are gonna stand in a big circle and talk like ninnies? And the camera is one big long shot of them talking? Stupid, TERRIBLE directing. this not onyl didn’t look good on camera, but it was unrealistic. The fucking characters all stand around talking. You can’t just throw them into the mix half way through for no reason.Īlso I thought the film’s weakest directing was in the bar, right when all the bats are outside knocking to come in. The movie starts off as a world WITHOUT Vampires, then…VAMPIRES! FOR NO REASON! WHAT THE FUCK!?Įither have the WHOLE movie deal with Vampires, or NO Vampires at all.
I can’t say they RUINED the film, but they sure as hell made it stupid. There’s absolutely NO explanation to WHY those fucks are Vampires! They arn’t mentioned for 45 minutes of the film, then BLAM, they are there! But since half the movie doesn’t, it DOESN’T WORK! This movie WOULD have worked say the WHOLE movie delt with Vampires. You can’t have a totally serious film then JUMP into surreal shit like Vampires! Then all of a sudden as soon as Salma Hayek turns into a Vampire the film goes 180º. The begining of the film is serious, its not stupid, its realistic to a degree, and its not too farfetched. You can’t have a totally serious movie then JUMP into TOTAL UNREALISTIC SHIT. I was told I need to see the sequel to understand the first part’s ending, but I’m like, "No, cause the first one SUCKS because of that ending." Here’s how it goes, the whole movie is serious, it has great camera work, great acting, good story, great action, its realistic to a degree…then the last 2 minutes a guy pulls a BAZOOKA out of his fucking shirt and another guy RIPS into his chest and pulls out a glwoing orb thing, then Japan explodes. The last 2 minutes of the film RUINED the whole film. Now Dead or Alive has a similar formula…ITs total seriousness of a movie, then at the end (Spoiler alertt if you havnt’ seen Dead or Alive) it becomes reidiculously retarded.
I actually didn’t agree with Starkey on this whole situation until I recently saw the film DEAD OR ALIVE.
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